Thursday, February 9, 2012

some note

风格,“选择通过将我们的注意力集中于某种东西,也是我们的注意力狭窄化了,不让我们看到别的东西。然而一个艺术作品之比另一个艺术作品更有兴味,并不取决于该作品的风格选择是否让我们注意到了更多的东西,而是取决于这种注意的强度、可信度、以及是否机智,不管其焦距如何狭窄。
“在最伟大的艺术中,人们总是意识到一些不可言说之物,意识到表达与不可表达之物的在场之间的冲突。”
——《反对阐释》第38-9页

3 comments:

lucy said...

like this one too, suitable for the oscar.

ayu1234 said...

@Lucy: Recently, while checking the usage of “连”in Hu Lancheng's 'This Life', I am reminded that how much my feeling has been touched by his sensitivity and his honesty concerning many perspectives of living, certainly, including love.

lucy said...

totally agree with you.