风格,“选择通过将我们的注意力集中于某种东西,也是我们的注意力狭窄化了,不让我们看到别的东西。然而一个艺术作品之比另一个艺术作品更有兴味,并不取决于该作品的风格选择是否让我们注意到了更多的东西,而是取决于这种注意的强度、可信度、以及是否机智,不管其焦距如何狭窄。
“在最伟大的艺术中,人们总是意识到一些不可言说之物,意识到表达与不可表达之物的在场之间的冲突。”
——《反对阐释》第38-9页
[转载]星云大师 :佛陀一生给世人的二十条忠告
6 years ago
The mind on specific research might look monotonic, nevertheless, it is far fetched from boredom, especially when the conscious thought reaches the depth that ensures the crashes on the boundary of the metaphor world
3 comments:
like this one too, suitable for the oscar.
@Lucy: Recently, while checking the usage of “连”in Hu Lancheng's 'This Life', I am reminded that how much my feeling has been touched by his sensitivity and his honesty concerning many perspectives of living, certainly, including love.
totally agree with you.
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